Simply put as a primer, we are using powerfully expanded perceptions to observe any subject and portray it. What you are viewing is another step in the evolution of art based on the use of a mental tool to enhance understanding and arrive at a higher glimpse of our composition, existence and being.

All art is created to transfer an idea and image to the mind of the observer. Most of us think of art as painting or sculpture in the physical, when the true value lies in the transfer of an "idea" to the mind of the observer. The "art" is already done in the mind before it is created as a shadow in the physical, which we commonly call Art.

Classic and objective art makes a thing look like a thing, an object like any object created by images we see. Impressionism did the same, but leaves true detail vague, so that the observer could place their own observations in it led by the color and form of the artist. Abstract and subjective art presents personal feelings and impressions of the artist of a subject or object by paring down to specific forms, compositions and colors. All are interpretations of existence and our personal sense of it, from seeing what it looks like to how one felt. As in its history, Art now takes another step forward, retaining the idea that art is a mental concept as well as a transfer of new thought to the observer by visual interpretation.

Through the mind tool known to us as Technical Remote Viewing (TRV®), many people realize there is a near unlimited power inherent in mankind to perceive beyond the known "normal" limits of the five senses. It is this very technology and science that became the basis in interpretation of a new form of art. It became known as TRV ART because of it's expanded perceptions, use of archetypal symbols, lack of previous and solid examples in art history; it stands by it's own.

There is a true science and technology behind the imagery that organizes previous abstracted concepts into a recognizable form for the observer, yet also is based on realities existing but not perceived, until now. All TRV paintings have a storyline explanation of information derived from the unconscious, an entirely ignored area that parallels outer space and the universe(s), but truly is "inner space", connected by the very structure of existence that makes it a "whole". Time, dimension, historical aspects and "other life" are perceived as the subject matter in these TRV ART databased paintings. One can see the past, present and future and present this in an explainable base by "common" symbols buried but recognizable by our psyche.

As the camera seems to have put art done by hand aside in it's presentations, creating a market where anyone who can photograph is considered an artist, this new art depends solely on the recorded perceptions of places and levels un-recordable by any other current technology whatsoever. It puts the image and interpretation solely and squarely back in the hands of the artist.

That indeed is new, especially in the accuracy of the practitioners and students of TRV®, the mind tool necessary to create these new art images based on something real, rather than how one felt about something subjectively. This changes the whole face of art as we have known it. The portrayals become abstracted (pared down to the purest form of representation) but based on an existing thing in time or space or dimension, revealing an objective and true reality as a tactical observance of the physical through one's mnd, at any distance.

With this primer, we can now go forth in the explaining of process in TRV ART.  - Click here to begin